anita lane - dirty pearl

ich hab zwar nur die maxi "dirty sings" (die auf dem album enthalten ist), aber ich hör mal rein, was sie sonst noch so gemacht hat.

Zitat von picaphonic im Beitrag #13316

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International Music / Ententraum

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Zitat von gnathonemus im Beitrag #13413

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anita lane - dirty pearl

ich hab zwar nur die maxi "dirty sings" (die auf dem album enthalten ist), aber ich hör mal rein, was sie sonst noch so gemacht hat.

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... und viele ganz schlimme!


Hier:
Tangled Shoelaces - Turn My Dial: M Squared Recordings & More (1981-1984)

Zitat von victorward im Beitrag #13415

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Zitat von gnathonemus im Beitrag #13413

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anita lane - dirty pearl

ich hab zwar nur die maxi "dirty sings" (die auf dem album enthalten ist), aber ich hör mal rein, was sie sonst noch so gemacht hat.

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Aus Spargründen damals nicht gekauft, gestern aber auch mal angehört. Da sind einige coole Stücke drauf.

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Zitat von Der Lokus im Beitrag #13416

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... und viele ganz schlimme!

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Ich glaube auch nicht, dass der Lokus mit seiner Kritik Zustimmung zu ihren frühen Tod ausdrücken wollte.

Huch! Natürlich nicht! Ich wollte sie auch musikalisch nicht niedermachen. Es gibt halt Leute, die im Kollektiv besser funktionieren als einfach nur solo. Bei ihr war das glaub so.

Koko Dembélé - Tieba (2018)

Malischer Reggaeveteran, war mir bis eben tatsächlich unbekannt, obwohl er in Bamako lebt. Wieder eine Lücke geschlossen.

Sarah Louise - Earth Bow, 2021

Zitat

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At first glance, Sarah Louise might seem an unlikely candidate to credit technology as inspiration for her new album, Earth Bow. After all, she has lived in rural Appalachia for the last decade, foraging numerous species of wild mushroom, concocting medicine from plants she gathers, and performing what she terms "Earth Practices" to deepen her relationship with the natural world. But it is precisely her ability to find connections between false binaries that makes this album so novel and richly immersive. Louise conceived Earth Bow as an interconnected ecosystem, meant to evolve, interact and grow. Known for her inventive guitar playing, vocal harmonies and electronic experiments, it was her use of the SP-404SX sampler that became a primary inspiration for the album's woven nature. "Improvising with the 404 during live shows allows me to collaborate with the music as a living system, almost the way generative music works," she says. "I kept finding more and more samples that worked together and realized I wanted to connect the entire record-and that there were many ways it could be connected." Through this process, what began as eight core songs blossomed into two sweeping suites. Samples-denizens of her electronic forest-move around the record with changing context like words in a sestina or phrases in the I Ching, revealing new connections with each listen. Mesmeric sounds abound on Earth Bow, from analog synth tones, to digitally manipulated sonics that she stretches and layers with a painterly touch. These electronic sounds inhabit the same environment as field recordings, ceremonial percussion, guitars and empathic vocals, weaving together her vast and borderless influences into an enveloping world. "I want this record to take people on a journey through the wonders of our incredible planet, to help people feel held by the mysteries of nature," she enthuses. "I believe music can heal." After a string of celebrated releases on Thrill Jockey, Sarah Louise is self-releasing Earth Bow on her new imprint of the same name.

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divide and dissolve - gas lit

wow, da werden ja erinnerungen an beste melvins-zeiten wach. danke @victorward für den beitrag in der spotify-playlist und eine empfehlung für @King Bronkowitz - könnte was für dich sein.

Zitat von King Bronkowitz im Beitrag #13423

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Danke für den Tip, aber das passiert mir dann doch zu wenig. Das geht schon fast in die Drone - Richtung. Das ist mir grad zu anstrengend (ja, da kommt auch vor).

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Zitat von Johnny Ryall im Beitrag #13421

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Sarah Louise - Earth Bow, 2021

Zitat

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At first glance, Sarah Louise might seem an unlikely candidate to credit technology as inspiration for her new album, Earth Bow. After all, she has lived in rural Appalachia for the last decade, foraging numerous species of wild mushroom, concocting medicine from plants she gathers, and performing what she terms "Earth Practices" to deepen her relationship with the natural world. But it is precisely her ability to find connections between false binaries that makes this album so novel and richly immersive. Louise conceived Earth Bow as an interconnected ecosystem, meant to evolve, interact and grow. Known for her inventive guitar playing, vocal harmonies and electronic experiments, it was her use of the SP-404SX sampler that became a primary inspiration for the album's woven nature. "Improvising with the 404 during live shows allows me to collaborate with the music as a living system, almost the way generative music works," she says. "I kept finding more and more samples that worked together and realized I wanted to connect the entire record-and that there were many ways it could be connected." Through this process, what began as eight core songs blossomed into two sweeping suites. Samples-denizens of her electronic forest-move around the record with changing context like words in a sestina or phrases in the I Ching, revealing new connections with each listen. Mesmeric sounds abound on Earth Bow, from analog synth tones, to digitally manipulated sonics that she stretches and layers with a painterly touch. These electronic sounds inhabit the same environment as field recordings, ceremonial percussion, guitars and empathic vocals, weaving together her vast and borderless influences into an enveloping world. "I want this record to take people on a journey through the wonders of our incredible planet, to help people feel held by the mysteries of nature," she enthuses. "I believe music can heal." After a string of celebrated releases on Thrill Jockey, Sarah Louise is self-releasing Earth Bow on her new imprint of the same name.

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Und, wie klingt das dann in der Realität?

Die erste Suite finde ich sehr gelungen, da wechseln sich eher rhythmische Teile mit sphärische Teilen ab und man kann die einzelnen "Songs" also solche auch erkennen. Die zweite Suite ist ein bisschen an mir vorbei gerauscht. Da muss ich wohl noch dran bleiben. Dafür ist es auf jeden Fall interessant genug.

Girl in Red - If I Could Make It Go Quiet