Hole - Live Through This

Hihi. Bei Hole muss ich sofort daran denken:

Zitat

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Hole performing Celebrity Skin live at Don Hill's in NYC, Sept. 11, 2010.

I was hired through the venue to record this show (including many others throughout that week) and was then left standing with a hard drive and an invoice no one seemed to want. Four years later I still have the files and not really any idea what to do with them. But I like to share. So here we are.

What you are hearing are just Courtney's isolated vocal and guitar mics (with the obvious bleed from the rest of the band). I've muted everything else. EDIT: There seems to be some confusion about where/what the video footage is. It's a video of the same performance. It's just not my video. I did not shoot this video. I did not edit this video together. I have merely taken my audio recording of the same performance and synced it as best I could. Their edit is sloppy which is why it drifts in and out of sync. It's not about the video, anyway. It's there for context. (…)

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In "Larry Flynt" war sie großartig. Und ich gestehe: Es gab mal eine Zeit, als sie gefühlt für ein paar Monate clean war, da fand ich sie sogar ein wenig sexy.

Ich habe gerade geschaut: In "Basquiat", "Eine Nacht in New York" und in "Minnesota" habe ich sie noch gesehen, kann mich aber nicht mehr an ihre Performance erinnern...

Edit:



Sevdaliza - Shabrang

Zitat von JackOfAllTrades im Beitrag #9879

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Sevdaliza - Shabrang

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Zitat von Lumich im Beitrag #9881

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Zitat von JackOfAllTrades im Beitrag #9879

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Sevdaliza - Shabrang

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Gibt es eigentlich irgendwo den Hintergrund zu dem Cover? Ich konnte nichts finden. Das Veilchen sieht sehr überzeugend aus. Ich habe nicht den Eindruck, dass das geschminkt oder gephotoshopped wäre. Sehr beunruhigend, dieses Cover.

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Zitat von genius.com

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The ominous cover for Shabrang features Sevdaliza with a bruised eye, adorned with several pieces of gold jewelry. Although the depiction of an artist with a bruised face has become a popular style of cover art, such as The Weeknd’s After Hours (2020) and Halsey’s Manic (2020), the cultural and mythological symbolism behind Sevdaliza’s separates hers from the rest.

The title Shabrang originates from Shahnameh (شاهنامه ; “The Book of Kings”), an epic poem written by Persian poet Abel-Qâsem Ferdowsi Tusi in the early 11th century. The poem tells the story of Prince Siyâvush (سیاوش‎) and his fight for innocence.

In the poem, Siyâvush’s step-mother Sudabeh (سودابه), also the Queen of Iran, grows a strong sexual desire for him, but becomes enraged when Siyâvush rejects her. As a result, she sets out on a mission to frame Siyâvush for raping and beating her. In an effort to prove his innocence, Siyâvush was forced to mount his mighty horse named Shabrang (شبرنگ) and ride through a mountain of fire. Even after prevailing unharmed and virtuous, his father and husband to Sudabeh, King Kay Kavus (کی‌کاووس) denounced his innocence, leading to the exile of Siyâvush and Shabrang.

Just as the horse Shabrang guided the prince to his righteousness, the album Shabrang has done the same with Sevdaliza in her career and guided her to a state of vulnerability and artistry that she’s aspired to reach. As for the bruise, Sevdaliza released a statement confirming its representation, stating:

"The cover represents the hardships I’ve had to overcome in becoming Sevdaliza and how hard I’ve had to fight for my life, and my work. This cover image has in no way any relationship with the conspiracy symbolism [of domestic abuse] it has been related with. I am a believe of love and light, I fall seven times, I stand up eight."

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Bitte. "Genius.com" ist eine gute Anlaufstelle, nicht nur für Songtexte.



The Screenshots - 2 Millionen Umsatz mit einer einfachen Idee